…Roy Strong in Henry, Prince of Wales and England’s Lost Renaissance (London: Thames and Hudson, 1986), and Caterina Pagnini, Costantino de’ Servi: architetto-scenografo fiorentino alla corte d’Inghilterra (1611-1615) (Florence: Società…
…“To perceive Camp in objects and persons is to understand Being-as-Playing-a-Role. It is the farthest extension, in sensibility, of the metaphor of life as theater”.5 In this instance, with the…
…in India since 1952 to design the Head of Mission (HOM) residence in New Delhi (1962) and approached an Adelaide-based architect Gavin Walkley to investigate and make recommendations on the…
…disparate things have been brought together in a unity. In Section 4 Schindler distinguishes between ornament and decoration. Schindler is setting up a classification, involving groups and subgroups, in which…
…disparate things have been brought together in a unity. In Section 4 Schindler distinguishes between ornament and decoration. Schindler is setting up a classification, involving groups and subgroups, in which…
…Andrei Ikonnikov’s contemplation on the successes and failures of experiments in communal living and the social contribution of projects for house-communes, which again have to do with the possibilities of…
…and consumption are already practically outlining the profile of a construction industry disinterested in ideology[…] and interested in the problems of quality and quantity of a technicalisation similar to that…
…Effect: GOMA and the Architectural Competition for a New Institutional Building,” in Proceedings of the Society of Architectural Historians, Australia and New Zealand 32, Architecture, Institutions and Change, ed. Paul…
…the eighteenth century by “outsider” mapmaker John Rocque—a Huguenot working in London and Dublin—in his representations of cities and architecture, and how his compromised views are echoed by the representational…
…and land tenure. I will look at large scale impacts that intersect with territorial descriptions by government in maps and naming, moving down to how the river, and look at…