SAHANZ_21_Jasper
…the not-classical, and describe and provide examples of architectures that manifest this or that category. The categories are the pre- compositional, the composite, and the extra-compositional. Within the limits of…
…the not-classical, and describe and provide examples of architectures that manifest this or that category. The categories are the pre- compositional, the composite, and the extra-compositional. Within the limits of…
…Construction and who wish to turn their attention to the finer problems of design, composition and rendering, in compe- tition with their fellow members, and under criticism and assistance from…
…buildings. Building on this foundation, the second part will touch upon recurrent themes in both the chancery and residence and draw comparisons to relatable typologies. With this comparative approach, the…
…comprises galleries for women. This division informed Kahn’s reference to the scheme’s ‘high places for women’.10 According to the illustrated interior, worshippers seated within the main space and the raised…
…because the classical language of architecture has been used in monuments celebrating both democratic and totalitarian states. Compared with literature and music, I am convinced that architecture is unable to…
…to explore the processes of exclusion and call attention to the categories that were used to leave out these settlements. Through our research, we hope to reveal the colonial tendencies…
…with more and more foreign cultures and new ideas about science and the origin of man. While Victorian anxieties were moral, social and cultural, Victorian literary and ecological scholars have…
…store for architecture today? attempt to formalise prison architecture in 1843, and its comprehensive allegiance to the image of Pentonville contrasts the material selection of Clayton’s Central Prison design. While…