SAHANZ_18_Mota

…to be the first New Zealand example of wind tunnel testing for a proposed building: No. 1 Queen Street, gateway to Auckland’s main commercial thoroughfare and abutting the waterfront, which…

2A_216-226_MINDRUP

…associations attributed to it in suspension in order to search for strategies that will permit its forms, spaces, or materials to take on new roles and identities. To look at…

R01_04_Margalit_Rugby Leagues Club Buildings

…a sporting organisation into a significant Sydney entertainment and socialising typology in the late 1950s and 60s. The catalyst was the favourable legal status afforded to gambling and the serving…

walker p moulis a – before scarborough

…architects.10 Such a set of architectural demands accorded well with Andrews’ own approach to design as an exercise in comprehensive problem-solving within unique conditions. For example, the Toronto City Hall…

Utzon’s Graphic Quotation

…Oeuvre complete Volume 6 (Zurich, Switzerland: Girsberger, 1957), 7. http://investigator.records.nsw.gov.au/Entity.aspx?Path=%5CSeries%5C12825 https://academic.oup.com/jdh/article-abstract/27/3/278/455496/Chinese-Colours-and-the-Sydney-Opera-House-1956?redirectedFrom=fulltext https://academic.oup.com/jdh/article-abstract/27/3/278/455496/Chinese-Colours-and-the-Sydney-Opera-House-1956?redirectedFrom=fulltext http://www.tandfonline.com/doi/abs/10.1080/136023698374099 SAHANZ 2017 Annual Conference Proceedings 34 Marie-Jeanne Dumont, ‘The Open Hand. From Political Symbol to the Artist’s…

harper g – utzons graphic quotation

…Oeuvre complete Volume 6 (Zurich, Switzerland: Girsberger, 1957), 7. http://investigator.records.nsw.gov.au/Entity.aspx?Path=%5CSeries%5C12825 https://academic.oup.com/jdh/article-abstract/27/3/278/455496/Chinese-Colours-and-the-Sydney-Opera-House-1956?redirectedFrom=fulltext https://academic.oup.com/jdh/article-abstract/27/3/278/455496/Chinese-Colours-and-the-Sydney-Opera-House-1956?redirectedFrom=fulltext http://www.tandfonline.com/doi/abs/10.1080/136023698374099 SAHANZ 2017 Annual Conference Proceedings 34 Marie-Jeanne Dumont, ‘The Open Hand. From Political Symbol to the Artist’s…